媒介情境论视域下中国元素在数字艺术展中的应用研究  

Research on the Use of Chinese Elements in Digital Art Exhibition from the Perspective of Medium Theory

作　　者：周宏伟[1] 宋馨谷 于安宁 张宁舒 芦枫 Zhou Hongwei;Song Xingu;Yu Anning;Zhang Ningshu;Lu Feng(College of Art and Design,Beijing University of Technology,Beijing 100124,China)

机构地区：[1]北京工业大学艺术设计学院,北京100124

出　　处：《艺术与设计（理论版）》2023年第2期59-62,共4页Art and Design

摘　　要：文章基于媒介情境论分析中国元素应用的合理设计形式,希望为数字艺术展的创新实践及发展方向提供借鉴。以数字艺术展为研究平台,解析媒介情境论的理论架构,从信息掌握、地域消失、中区行为等角度分别对数字影像、虚拟现实、互动装置进行剖析,探求数字艺术展中应用中国元素的创新价值。旨在从媒介环境学的角度为中国元素的应用拓宽思路,使中国元素在数字艺术展中得以更好地融入与传承。Based on media theory,this study examines the reasonable design form of the application of Chinese elements.And it serves as a guide for digital art exhibition innovation and development.Taking digital art exhibition as the research platform,we analyze the theoretical framework of medium theory.Moreover,the research of digital image,virtual reality and interactive device is analyzed from the perspectives of information mastery,disappearing regions and behaviors in the middle region.And the innovative value of applying Chinese elements is explored in digital art exhibition.We hope to broaden our thinking on the application of Chinese elements from the perspective of media environment,so that Chinese elements can be better integrated and inherited in digital art exhibitions.

关 键 词：媒介情境论 数字艺术展 中国元素 梅罗维茨 

分 类 号：J045[艺术—艺术理论]