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作 者:王向阳 WANG Xiangyang(Department of fine arts,Jinzhong University,Yuci 030619,China)
机构地区:[1]晋中学院美术系,榆次030619
出 处:《中国陶瓷》2023年第2期80-85,共6页China Ceramics
基 金:校级教改规划课题“非遗进高校—榆次窑传承与创新教学实践”(jg201919),阶段性成果。
摘 要:传统榆次窑油滴釉属地方优秀非遗文化,是代代传承的技艺形式。通过长期实践、研究、复烧榆次窑油滴发现,传统榆次窑油滴的物质形态背后是由一系列复杂、严密、秩序化非物质技艺组成。而现代化学配制油滴釉是建立在现代化学、材料学体系下占据时代主流的现代学科体系;依据的是不同元素在配方中含量占比原理。运用文献研究、实验报告、数据分析、比较研究等方法,对两者进行比较,从历史背景、烧制原理、文化内涵分析两者的区别与价值,从而获得新的认知和见解。The traditional oil drop glaze formula of Yuci kiln belongs to the local excellent intangible cultural heritage and is a technical form inherited from generation to generation. Through long-term practice,research and re burning of oil droplets in Yuci kiln, it is found that the material form of oil droplets in traditional Yuci kiln is composed of a series of complex, rigorous and orderly non-material skills. The modern chemical preparation of oil drop glaze is a modern subject system established under the scientific and chemical system and occupying the mainstream of the times;According to the proportion principle of different elements in the formula. Using the methods of literature research, experimental report, data analysis and comparative research, this paper compares the two, and analyzes their differences and values from the historical background, firing principle and cultural connotation. So as to obtain new cognition and insights.
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