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作 者:唐琰 毛桦颖 杨建华[1] 林静[1] Tang Yan;Mao Huaying;Yang Jianhua;Lin Jing
机构地区:[1]福州大学建筑与城乡规划学院
出 处:《华中建筑》2023年第3期128-133,共6页Huazhong Architecture
基 金:国家社科基金艺术学一般项目资助(编号:19BG112)。
摘 要:泉州民居是中国传统民居的重要一脉,亦是中华人民精神内涵的文化载体,民居中的建筑装饰则是表达精神内涵的重要载体。该文基于对泉州现存民居的调研,以泉州民居中建筑装饰极具代表性的蒋报企故居为例,将故居类比成叙事文本,通过空间体验的两种方式解读建筑装饰的逻辑性与深刻内涵。粗读搭建民居建筑的语义背景系统,划定叙事情节;精读通过构建虚拟图像,从空间位置、材料技艺、题材内容三个方面解构建筑装饰作为叙事词汇所展现的叙事性质。探究故居主人作为叙事者如何通过建筑装饰向接收者传达其精神内涵,以期为传统建筑装饰提供可参考的解读方法和模式。Quanzhou folk house is an important part of Chinese traditional folk house, and also a cultural carrier of Chinese people’s spiritual connotation. The architectural decoration in folk house is an important carrier of expressing spiritual connotation. Based on the investigation of the existing residential buildings in Quanzhou, taking the former residence of Jiang Baoqi, which is very representative of architectural decoration in the residential buildings in Quanzhou, as an example, we compare the former residence to the narrative text, and interpret the logic and profound connotation of architectural decoration through two ways of space experience. The close reading deconstructs the narrative nature of architectural decoration as a narrative vocabulary through the construction of virtual images in terms of spatial location,material techniques and subject matter. We also explore how the owner of the house, as the narrator, conveys his spiritual connotations to the recipient through architectural decoration. The aim is to provide a reference method and model for the interpretation of traditional architectural decoration.
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