《簪花仕女图》服饰图案的艺术特征及其在皮革制品中的设计实践  

The Artistic Characteristics of the Dress Pattern in the “Group Portrait of Noblewomen” and its Design Practice in Leather Goods

作　　者：张琛 弓太生[1,2] ZHANG Chen;GONG Taisheng(College of Art and Design,Shaanxi University of Science&Technology,Xi’an 710016,China;National Demonstration Center for Experimental Light Chemical Engineering Education,Shaanxi University of Science&Technology,Xi’an 710016,China)

机构地区：[1]陕西科技大学设计与艺术学院,陕西西安710016 [2]陕西科技大学轻化工程国家级实验教学示范中心,陕西西安710016

出　　处：《皮革科学与工程》2023年第2期81-87,共7页Leather Science and Engineering

摘　　要：《簪花仕女图》是中国十大传世名画之一,极具艺术文化价值。文章在系统梳理画卷服饰图案的前提下,从造型、构图、色彩、寓意等四个方面分析其艺术特征,通过图案的提取与变形、色彩的提炼与重设、文化寓意的表达,就画卷服饰图案在皮革制品设计中的应用方法进行探讨,并以实际案例论证可行性。文章是对设计赋能传统图案、文化赋能产业的实际践行,希望能为《簪花仕女图》服饰图案的活态化传承及皮革制品设计文化内涵的提升提供行之有效的思路。The picture of “Group Portrait of Noblewomen”is one of the top-ten famous paintings in China, which is of great artistic and cultural value. On the premise of systematically combing the scroll dress patterns, this paper analyzed their artistic features from four aspects of modeling, composition, color and moral. Through the extraction and deformation of these patterns, the refining and resetting of colors, and the expression of cultural moral, this paper discussed the application methods of scroll dress patterns in leather goods design and demonstrated the feasibility with practical cases. This work is a practical practice of designing and empowering traditional patterns and culturally empowering industries, hoping to provide an effective idea for the living inheritance of the costume patterns in "Group portrait of Noblewomen" and the promotion of the cultural connotation of leather goods design.

关 键 词：簪花仕女图 服饰图案 皮革制品设计 传统图案 设计实践 

分 类 号：TS56[轻工技术与工程—皮革化学与工程] J524[艺术—艺术设计]