宋代茶文化视域下的建盏美学观  

The Aesthetic View of Jianzhan from the Perspective of Tea Culture in Song Dynasty

作　　者：郑慕蓉 陈丹妮 庄云真 ZHENG Murong;CHEN Danni;ZHUANG Yunzhen(Tea and Food College ofWuyi University,Wuyishan 354300,China;Tea Engineering Center of Fujian Universities,Wuyishan 354300,China;ZHENG Murong's Tea Art MasterWorkroom,Wuyishan 354300,China)

机构地区：[1]武夷学院茶与食品学院,福建武夷山354300 [2]茶叶福建省高校工程研究中心,福建武夷山354300 [3]郑慕蓉茶艺师技能大师工作室,福建武夷山354300

出　　处：《中国茶叶》2023年第3期70-75,共6页China Tea

基　　金：福建省哲学社会科学规划项目(FJ2019C028);福建省一流本科专业(茶学)建设项目(SJZY2019004)。

摘　　要：宋代茶文化高度繁荣,刺激了茶器的生产与发展。建窑建盏属于宋代黑瓷,是历史上唯一因茶而生、因茶而衰的瓷器。文章立足于宋代茶文化视域,通过对建盏器型、釉色纹理及人文思想的剖析,总结建盏具有简约实用之器型美、深邃变幻之釉纹美、儒释道之人文美三大美学观,有助于今人艺术创作时汲取借鉴,对宋代茶文化及建盏研究具有一定的科学意义。Tea culture in the Song Dynasty was highly prosperous,which stimulated the production and development of tea ware.Jianzhan from Jian kiln belonged to the Song Dynasty black porcelain,which was the only porcelain in history that was born out of tea and declined because of it.Based on the tea culture of Song Dynasty,this paper summarized that Jianzhan holds three aesthetics including beauty of simple and practical shape,beauty of profound changes in glaze line,the humanity beauty of Confucianism,Buddhism,Taoism.It is helpful to modern people who does art making.What’s more,the research had a certain scientific significance for the study of Jianzhan and tea culture in the Song Dynasty.

关 键 词：茶文化 宋代 斗茶 建盏 美学 

分 类 号：G124[文化科学]