论柏拉图与刘勰文学创作论的异同  

Differences and Similarities between Plato’s and Liu Xie’s Literary Creation Theories

作　　者：王洁 叶当前 WANG Jie;YE Dang-qian(School of Humanities,Anqing Normal University,Anqing Anhui 246133,China)

机构地区：[1]安庆师范大学人文学院,安徽安庆246133

出　　处：《菏泽学院学报》2023年第1期104-108,125,共6页Journal of Heze University

基　　金：国家社科基金项目(19BZW063)。

摘　　要：柏拉图和刘勰虽然所处的时代背景以及文化体系存在一定差异,但二者的文学创作论仍具有很强的可比性。在文学创作的灵感问题上,二人都持肯定见解,但柏拉图强调神赋,刘勰强调人赋;在文学创作与外物的关系问题上,柏拉图忽视人的主观能动作用,刘勰则深刻阐述物我之间的互动,凸显主体意义;在读者问题上,柏拉图将文学接受视为单向输出的过程,刘勰则看到听众的再创造性,对读者提出相应要求。Although there were certain differences in the background and cultural system of the times, Plato’s and Liu Xie’s literary creation theories were still highly comparable. In terms of the literary creation inspiration, both of them held positive views. However, Plato emphasized the divine while Liu Xie emphasized the human. In the relationship between literary creation and external objects, Plato ignored the subjective and dynamic role of human beings, while Liu Xie profoundly expounded the interaction between things and oneself, highlighting the main significance. In terms of readers, Plato regarded literary acceptance as a process of one-way output, while Liu Xie found the audience’s recreativity and put forward corresponding requirements for readers.

关 键 词：文学创作论 柏拉图 刘勰 《文艺对话集》 《文心雕龙》 

分 类 号：I024[文学—文学理论]