方言视角下的武安平调、落子语言探析  

An Analysis of the Language of Wu’an Pingdiao and Laozi Opera from the Perspective of Dialect

作　　者：吴贝贝 Wu Beibei(School of Literature and History,Handan University,Handan 056005,China)

机构地区：[1]邯郸学院文史学院,河北邯郸056005

出　　处：《现代语文》2023年第2期20-25,共6页Modern Chinese

基　　金：2022年度河北省高等学校科学研究项目语言文字研究专项“方言视角下国家级非物质文化遗产武安平调、武安落子的传承和保护研究”(YWZX2022018)。

摘　　要：地域方言是地方戏曲的组成要素,也是戏曲传播的重要媒介。以地方剧种武安平调、落子为研究对象,以武安方言为切入点,从语音、词汇、句式和修辞等方面,对武安平调、落子的语言特征进行阐述,并剖析作为语言形态的方言与戏曲艺术之间的关系。从方言视角来考察武安平调、落子的传承与保护,既能为这些戏曲形式提供更为广阔的发展空间,也有利于从语言文化角度把握传统民俗,从而为我国戏曲类非物质文化遗产的继承发展提供有益参考。Regional dialect is the constituent element of local opera and the important medium of opera communication. This paper takes the local opera, Wu’an Pingdiao and Laozi, as the research object, and Wu’an dialect as the entry point, from the aspects of pronunciation, vocabulary,grammar and rhetoric, to expound the language features of Wu’an Pingdiao and Laozi, and analyze the relationship between dialect as a language form and opera art. The study of the inheritance and protection of Wu’an Pingdiao and Laozi from the perspective of dialect can not only provide a broader space for the development of these operas, but also help to grasp the traditional folk customs from the perspective of language and culture, so as to provide a useful reference for the inheritance and development of Chinese opera intangible cultural heritage.

关 键 词：武安平调 武安落子 武安方言 戏曲语言 

分 类 号：H172.1[语言文字—汉语]