宋代绘画艺术的留白思想研究  

On the Blank-Space Thinking of Painting Art in the Song Dynasty

作　　者：郭萌[1] Guo Meng(School of Education,Fuzhou Foreign Language and Trade College,Fuzhou 350008,China)

机构地区：[1]福州外语外贸学院教育学院,福建福州350008

出　　处：《黑河学院学报》2023年第2期173-176,共4页Journal of Heihe University

摘　　要：宋代绘画艺术在我国传统艺术史上艺术价值卓越。其卓越不仅表现在艺术成就方面的突破,更在于其对于传统哲学的融合与运用。宋代的绘画艺术,无不透着对于“道”的深思,通过对于“韵”以及“逸格”的追求而达到一种空无的哲学境界。在宋代的绘画艺术中,留白的艺术表现手法运用较多。画家通过这样的艺术方式来呈现出一种朴素、空灵、淡然的视觉状态,同时也以此来表达内心自省以纳万物的无上心境。The painting art in the Song dynasty has outstanding artistic value in the Chinese history of traditional art. The value lies in the fact that it can break through the artistic achievement, integrate and apply traditional philosophy. The painting art in the Song dynasty, which is full of the deep thinking of “Tao”, can achieve an empty philosophical realm through the pursuit of “rhyme” and “detached sense”. The artistic expression technique of blank-space, which is commonly used by artists in the Song dynasty, can the painting art present a simple, ethereal, indifferent visual state, and express their inner self-reflection of the supreme state of mind to accept all things.

关 键 词：宋代绘画 留白艺术 哲学溯源 留白处理 

分 类 号：J212[艺术—美术]