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作 者:王家桧 樊衍[1] WANG Jia-gui;FAN Yan(Hunan University of science and technology,Xiangtan,Hunan,411201)
机构地区:[1]湖南科技大学,湖南湘潭411201
出 处:《湖南包装》2023年第1期82-85,共4页
基 金:湖南省教育厅科学研究项目(20C0816)。
摘 要:湘西苗族传统装饰图案是湘西苗族历史文化的记载,也是中国重要的非物质文化遗产。它以口心相传的发展形式流传至今,是研究湘西苗族文化的重要窗口。社会经济文化的发展使湘西苗族传统装饰图案逐渐边缘化,其发展前景不容乐观。文章通过阐述湘西苗族传统装饰图案的起源和色彩特点为再设计做铺垫,选取具有代表性的典型图案进行再设计转换。通过制作工艺的创新和图案的重新构图,将其应用于民宿布艺与饰品。The traditional decorative patterns of the Miao people in Xiangxi are the records of the history and culture of the Miao people in Xiangxi, and they are also an important intangible cultural heritage of China. It has been handed down to this day in the form of word of mouth, and it is an important window for studying the Miao culture in Xiangxi. The development of social economy and culture has gradually marginalized the traditional decorative patterns of the Miao people in Xiangxi, and their development prospects are not optimistic. The article paves the way for the redesign by explaining the origin and color characteristics of the traditional decorative patterns of the Miao nationality in Xiangxi, and selects representative typical patterns for redesign and transformation. Through the innovation of production technology and the recompositing of patterns, it is applied to homestay fabrics and accessories.
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