论少数民族题材电影《摩雅傣》的主题意蕴与女性形象叙事  

On the Thematic Implication and the Female Image Narrative of the Ethnic Minority Themed Movie Mo Ya Tai(Dai Doctor)

作　　者：刘传霞[1] 石成城 Liu Chuanxia;Shi Chengcheng

机构地区：[1]济南大学文学院 [2]康考迪亚大学人文学院

出　　处：《文学与文化》2022年第4期105-113,共9页Literature and Culture Studies

基　　金：国家社科基金项目“马克思主义女权主义视阈中的‘十七年’女性创作研究”(编号:16BZW152)阶段性成果。

摘　　要：作为新中国初期以女性形象作为叙事中心的少数民族题材电影,《摩雅傣》是一部涉及国家、民族、阶级、性别多重话语的影像文本,包含着建立国家认同和确立少数民族族群身份、批判封建陋习陈规与倡导现代科学文明、追求真挚爱情与人性自由等多重主题意蕴,满足了多个层面的文化与心理需求。其女性形象已经沉淀在当代中国人的情感结构之中,女性形象叙事再现了少数民族女性命运以及新中国女性解放的历史经验,参与了新中国性别意识形态建构。Filmed in the early years of New China with female image as the narrative centre,the ethnic minority themed movie Mo Ya Tai is a text of image with multiple discourses of nation,ethnicity,class,and gender.It contains multiple thematic implications,such as the establishment of national identity and ethnic identity,the criticism of feudal bad customs and regulations,the advocacy of modern science and civilization,the pursuit of true love and free humanity,which meet the cultural and psychological needs on many levels.The female image in the movie has been settled into the emotional structure of Chinese people.The narrative of female image reflects the life and fate of ethnic minority woman and the historical experience of woman’s liberation in New China,and participates in the construction of gender ideology in New China.

关 键 词：《摩雅傣》 少数民族题材电影 女性形象叙事 

分 类 号：J905[艺术—电影电视艺术]