流亡记忆的文化边界:上海犹太难民纪录片叙事  

Cultural Borders of Exile Memory:Filmic Narratives of Jewish Refugees in Shanghai

作　　者：顾文艳 Gu Wenyan

机构地区：[1]华东师范大学中文系

出　　处：《电影艺术》2023年第2期146-152,共7页Film Art

摘　　要：20世纪90年代起,第二次世界大战期间犹太人流亡上海的历史记忆通过电影媒介得到再现。早期纪录片从犹太人视角出发,延续纳粹大屠杀记忆下犹太离散史的叙事框架,呈现了以族群文化为边界的历史记忆。近年来,该题材的纪录片引入中国人的叙事视角,突出犹太人与中国人共同生存的故事并尝试跨越集体记忆的族群文化边界。此类影视叙事在渲染中犹友谊的同时往往忽略犹太人在欧洲殖民文化背景下的复杂心理,倾向于塑造“中犹共生”的银幕神话。Since the 1990s, the historical memory of the Jewish exile in Shanghai during the Second World War started to be represented through the filmic medium. The early documentaries, represented by the American film Shanghai Ghetto, were almost entirely narrated from the Jewish perspective. This perpetuates the narrative framework of Jewish diaspora under the collective memory of the Nazi Holocaust and presents the historical memory within the cultural border of Jewish community. In recent years, documentaries on the subject of Jewish exile in Shanghai introduce a Chinese narrative perspective, highlighting the story of Jewish and Chinese co-existence in attempt to cross the communal cultural boundary of collective memory. However, such narratives often ignore the psychological complexity of the Jewish refugees under the context of European colonial culture and exaggerates the benign friendship between Chinese and Jews, propelling the myth of “Sino-Jewish coexistence” on screen.

关 键 词：上海犹太人 文化记忆 历史纪录片 《上海隔都》 

分 类 号：J952[艺术—电影电视艺术]