走向与作品、作者、读者相遇合的文学批评  

Towards a Literary Criticism That Is in Tune with the Works,the Authors and the Readers

作　　者：张奎志[1] Zhang Kuizhi

机构地区：[1]黑龙江大学文学院,哈尔滨150080

出　　处：《中国文学批评》2023年第1期24-29,M0003,共7页Chinese Journal of Literary Criticism

基　　金：国家社会科学基金后期资助项目“体验与文学:比较意义上的中西方文学观”(16FZW003)阶段性成果。

摘　　要：文学批评要走出自我,与作品、作者、读者相遇合。对于作品,需要的是“走进”,即批评者要“走进”作品,全身心地投入作品中,体验和感受作品;对作者,需要的是“走近”,即批评者要“走近”作者,了解作者的生平经历,钻研作者的思想;对读者,需要的是“走向”,即批评者要“走向”读者,他要像一个领航员,让读者明白作品的优和劣以及为什么优和劣。Literary criticism has to step out of the critic himself,and should be in tune with the works,the authors and the readers.In terms of the work,what is needed is to“enter”it,i.e.the critic should“enter”the work,to devote himself to it,to experience and feel it;in terms of the author,what is needed is to“get close”to him/her,that is,the critic must“get close”to the author,understand the author's life and experience,and study the author's ideas;for the reader,what is needed is“direction,”that is,the critic has to“lead”the reader,he has to be like a navigator,making the reader understand the strengths and weaknesses of the work and its reason.

关 键 词：文学批评 对话 认同批评 肖像批评 

分 类 号：I206.7[文学—中国文学]