由历代诗歌选本看杨维桢诗歌接受--兼论杨氏近体诗创作风貌  

Panorama of Yang Weizhen′s Poetry through Poetry Anthology in Successive Dynasties:with Special Attention to Yang′s Modern-style Poetry

作　　者：张素梅 Zhang Sumei(College of Literature,Nankai University,Tianjin 300071,China)

机构地区：[1]南开大学文学院,天津300071

出　　处：《河北工业大学学报（社会科学版）》2023年第1期33-40,共8页Journal of Hebei University of Technology：Social Sciences Edition

基　　金：内蒙古自治区哲学社会科学规划项目(2021NDC148)。

摘　　要：杨维桢是元末文坛巨擘,影响极大。学者一直以来关注杨氏谲怪奇丽、标新领异的古乐府,对其平易的近体诗几乎略之不提。通观历代诗歌选本,发现人们对杨维桢的诗歌认识存在反复性。元明之际的选家与杨维桢处于同一时代,对其诗歌选录更为完整客观,如顾瑛《草堂雅集》、孙原理《元音》除了选录其古体诗外,也选了杨维桢数量客观的近体诗。明代中后期囿于宗唐复古观念,李蓘《元艺圃集》、曹学佺《石仓元代诗选》几乎只选杨维桢的古乐府。清代康乾盛世,要求诗歌中正平和、渊静雍容,故《御制元诗选》、顾嗣立《元诗选》等选本发现了杨维桢近体诗的价值,选了杨维桢大量近体诗。今人元诗选本又局限于选杨维桢的古体诗。这种认识的反复性、矛盾性,启示人们客观认识杨维桢的诗歌全貌:近体与古体皆备,平易与怪奇之风并行。Scholars always pay attention to Yang Weizhen′s Yuefu works,but ignore his modern-style poetry.We find out that people′s knowledge of Yang Weizhen′s poetry is not all-inclusive through anthology of poetry in successive dynasties.At the turn of the Yuan and Ming dynasties,poetry anthology like Gu Ying′s Elegant Collection of Thatched Cottage and Sun Yuanli′s Poetry of Yuan Dynasty,choose Yang Weizhen′s ancient-style poetry and modern-style poetry.In the mid-late Ming dynasty,constrained by retro-conceptual influence,Li Gun′s Yuanyi Garden Collection and Cao Xuequan′s Selected Poems of Shicang in Yuan Dynasties only choose Yang Weizhen′s Yuefu works.Poetry demands justice and peace in the golden age of three emperors in the Qing Dynasty,therefore Selected Poems of the Imperial Yuan Dynasty and Gu Sili′s Selected Poems of the Yuan Dynasty both choose Yang Weizhen′s ancient style-poetry and modern-style poetry.Modern anthology of poetry in the Yuan dynasty is similar to that in the mid-late Ming dynasty.The repetition and contradiction of cognition enlightens us to get to know the whole picture of Yang Weizhen′s poetry:ancient style and modern-style are both available,novel style and peaceful style coexist.

关 键 词：杨维桢 诗歌选本 近体诗 平易 诗歌风貌 

分 类 号：I222.7[文学—中国文学]