江西赣州慈云寺塔泗州和尚图像考——以服饰、家具和胁侍弟子为中心  

Study on the Portraits of the Master Sizhou from Ganzhou Ciyun Pagoda in Jiangxi:Focusing on Costume,Seat and Assistant Disciples

作　　者：张善庆[1] Zhang Shanqing

机构地区：[1]兰州大学敦煌学研究所

出　　处：《艺术设计研究》2023年第1期79-84,共6页Art & Design Research

基　　金：2021年度国家社会科学基金一般项目“敦煌石窟与佛教仪轨研究”(项目编号:21BKG025);2020年国家社会科学基金艺术学重大项目“丝绸之路美术史”(项目编号:20ZD14)子课题的阶段性成果。

摘　　要：江西赣州慈云寺塔于2004年维修之际,出土了绘画、雕塑以及抄经等重要佛教文物。其中GZ-13绘画残片与GM-10塑像原来分别被定名为佛像和地藏菩萨像,经笔者考证,其身份应该都是泗州和尚僧伽大师。于该塔同时出土的还有灵岩和尚与开明禅师的画像。到了宋代,随着高僧信仰的盛行,这些高僧的画像不仅用于写真留影,同时,还被赋予了驱疫攘灾的现实功能。Precious Buddhist relics were excavated from Ganzhou Ciyun pagoda in Jiangxi when maintained in 2004.GZ-13 fragment and G M-10 sculpture once named as Buddha and Ksitigahba Bodhisattva actually are the master Sizhou.Except this,the figure of master Lingyan and Kaiming were also found.In the Song Dynasty,with the development of the faith of eminent mon ks,the monks portraits were not only used to portrait,but also seen to drive disease and disaster.

关 键 词：慈云寺塔 泗州和尚 灾疫 

分 类 号：J18[艺术—艺术理论]