在抵抗与建构之间——重析陈映真1983年的小说实践  

Between Resistance and Construction:On Ch,en Ying-chen,s Fictional Practice in 1983

作　　者：张冰然 Zhang Bingran

机构地区：[1]中国社会科学院大学文学院

出　　处：《华文文学》2023年第1期28-35,共8页Literatures in Chinese

摘　　要：1983年,陈映真陆续完成小说《铃铛花》《山路》的创作,在文本层面上实现其以“跨国公司”为象征的资本主义问题到以“白色恐怖”为象征的历史创伤记忆的视角转变。这一创作主题的更迭根源于1983年台湾地区复杂的社会情境,而绿岛旧友的出狱、南北夹击的孤立与台湾地区社会不知来处的历史断裂则不断催使陈映真将私记忆糅进台湾地区史,回到个人思想遭遇中找出新的历史要素用以完成断裂时代下的记忆置换。陈映真试图借助小说实践完成对台湾地区50年代历史的再叙述,在与时间的角力中重新理解台湾地区现代史中前后三代人的历史关联,重塑台湾地区与内地共通的民族主义之“根”。也正是在这段具有原点意义的自我探寻中,陈映真在说明台湾地区内在于中国历史脉络进程的同时,也据此完成了其重新进入80年代的路径思考。In 1983 when he finished writing his stories,'Ling dang hua*and'The Mountain Road,*Ch'en Ying—chen had completed his transfer of vision from the issue of capitalism symbolized by multinational corporations to the historical traumatic memory as symbolized by white terror.The change originated from the complex social situation in the 1983 Taiwan,when with his old friends who left the prison in Green Island,the isolation from both the north and the south and the historical rifts that came from no one knows where in the Taiwan Residents society,Ch*en was urged to merge his private memory with Taiwan Residents history,returning to his personal encounter of thought to find the new historical elements in order to complete the mnemonic permutation in the rifting times.Ch'en tried to complete a re-narration of the Taiwan Residents history in the 1950s by way of fiction,to re—understand the historical links of three generations in the modem history of Taiwan in his wrestling with time and to re-shape the nationalistic roots that connect Taiwan and China's Mainland.It is in this original self-search that Ch'en completed his consideration of the path to re-enter into the 1980s and the drop-point of his thought while explicating the fact that Taiwan is within the process of historical veins of China.

关 键 词：陈映真 中国民族主义 历史记忆 左翼文学 

分 类 号：I207.4[文学—中国文学]