论“酒”意象在陶渊明与戴良诗歌中的差异  

On the Difference between the Imagery of "Wine" in the Poems of TAO Yuan-ming and DAI Liang

作　　者：钱志萌 辛昕[1] QIAN Zhi-meng;XIN Xin(Chinese Language and Literature,Liaoning Normal University,Dalian Liaoning 116081,China)

机构地区：[1]辽宁师范大学文学院,辽宁大连116081

出　　处：《齐齐哈尔师范高等专科学校学报》2023年第1期39-42,共4页Journal of Qiqihar Junior Teachers College

基　　金：2022年度辽宁省社会科学规划基金一般项目“元初北方文学活动与文学创作研究”(项目号:L22BZW007)。

摘　　要：“和陶诗”现象是文学史创作与发展的一个重要现象,晋代以后的诗人都借陶渊明之酒杯,浇自己之块垒。戴良在千年之后的元代创作了51首和陶诗,通过戴良的“和陶诗”我们能了解到拥有相似人生经历的二人,在面对同一物象——“酒”而表现出不同的人生选择,使后世能够深刻的感受到不同时代诗人们相同的忠义气节和不同的心境和人生态度。Writing poems to respond to TAO Yuan-ming is an important phenomenon in the literary history,both for the poems writing and its development.After the Jin Dynasty,poets used the imagery of"wine"that created by TAO to relieve their depressions.DAI Liang wrote 51 poems to respond to TAO's poems in the Yuan Dynasty thousands of years later.Through these poems,we can understand that the two,with similar life experiences,show different life choices in the face of the same object-"wine".So later ages can deeply feel the same loyalty and righteousness in different times,as well as their different state of mind and attitude towards life.

关 键 词：和陶诗 酒意象 忠义 心境 人生态度 

分 类 号：I222.7[文学—中国文学]