诗画互文:商山四皓图像历代接受与流播研究  

Intertextuality of Poetry and Painting:A Study on the Reception and Transmission of Sihao Images in Shangshan throughout History

作　　者：孙浩章[1] 翟佩龙 SUN Haozhang;ZHAI Peilong(Xi'an University of Technology,710054 Xi'an Shanxi)

机构地区：[1]西安理工大学艺术与设计学院,陕西西安710054

出　　处：《设计艺术研究》2023年第1期117-120,129,共5页Design Research

基　　金：2021年度陕西省社科著作出版资助项目(2021SKZZ017)。

摘　　要：商山四皓在《史记》记载的基础上,历代以文赋、诗词和图像等艺术形式传播,其“进取”与“隐逸”相交织、“入世”与“出世”相结合的独特文化现象,历经两千多年积淀成为中国士人重要的精神符号。以群像形式存在的人物图像对于商山四皓文化的形成与传播,产生了重要的作用。通过从诗文研究与图像对比的视角,分析商山四皓文化的接受与流变及隐逸文化的正向价值,以期推动商山四皓文化的传播与传承。On the basis of the Records of the Grand Historian,Sihao of Shang Shan spread in the artistic forms such as Fu,poetry and images in the past dynasties.The unique cultural phenomenon of the interweaving of“enterprising”and“reclusive”,and“joining the world”and“coming out”has become an important spiritual symbol for Chinese scholars after more than two thousand years of accumulation.The images of people in the form of group images played a crucial role in the formation and dissemination of Shangshan Sihao culture.This paper analyzes the acceptance and transformation of Shangshan Sihao culture and the positive value of the culture of seclusion from the perspectives of poetry and literature research,and image comparison,in order to promote the spread and inheritance of Shangshan Sihao culture.

关 键 词：商山四皓文化 商山四皓图像 艺术表现 文化流播 

分 类 号：J0[艺术—艺术理论]