国家级非遗漳州木偶头的数字化传承与发展路径研究  

Research on the Digital Inheritance and Development Path of the National Intangible Cultural Heritage of Zhangzhou Puppet Head

作　　者：杨佳宁 刘欣 曹婷[1] 明兰[1] YANG Jianing;LIU Xin;CAO Ting;MING Lan(Songlin School of Architecture and Design and Art,University of South China,Hengyang 421001,China)

机构地区：[1]南华大学松霖建筑与设计艺术学院,湖南衡阳421001

出　　处：《鞋类工艺与设计》2023年第6期125-128,共4页SHOES TECHNOLOGY AND DESIGN

基　　金：2022年湖南省教育部大学生创新创业训练计划项目《国家级非遗漳州木偶头数字化传承与发展路径研究》(项目编号:202210555041)。

摘　　要：随着对于非物质文化遗产的认识不断加深,我国对非物质文化遗产的保护正从“静态留存”转向“活态保护”。在这一过程中,数字化媒体技术的参与可以弥补传统保护方式的不足。漳州木偶头雕刻是木偶戏道具制作中的一门特殊技艺,是我国第一批非物质文化遗产。木偶头雕刻艺术与传统戏曲息息相关,在戏曲演出普遍衰落的形势下,木偶头雕刻技艺的传承也遇到了难题。本文将对国家级非遗漳州木偶头的数字化传承与发展路径进行研究,探讨漳州木偶头在活态视域下如何更好地进行传承与发展。With the deepening of the understanding of intangible cultural heritage,the protection of intangible cultural heritage in China is shifting from“static retention”to“living protection”.In this process,the participation of digital media technology can make up for the deficiency of traditional protection methods.Zhangzhou puppet head carving is a special skill in the production of puppet show props,which is one of the first intangible cultural heritage in China.The art of puppet head carving is closely related to traditional opera.Under the situation of the general decline of opera performance,the inheritance of puppet head carving skills has also encountered difficulties.This paper will study the digital inheritance and development path of Zhangzhou puppet head,a national intangible cultural heritage,and discuss how to better inherit and develop Zhangzhou puppet head in the living perspective.

关 键 词：数字化传承与发展 非遗文化 漳州木偶头 

分 类 号：J954[艺术—电影电视艺术]