“岂敢窥群策,悲秋自楚人”——吴国伦对宋玉悲秋主题的承继与发展探微  

Wu Guolun’s Inheritance and Development of Song Yu’s Autumnal Melancholy

作　　者：陈珍钰 CHEN Zhen-yu(School of Humanities,Hu’nan University of Science and Technology,Xiangtan 411201,China)

机构地区：[1]湖南科技大学人文学院,湖南湘潭411201

出　　处：《湖北文理学院学报》2023年第3期25-29,共5页Journal of Hubei University of Arts and Science

摘　　要：吴国伦晚年里居楚地,深受楚地文风浸染,且与宋玉有着相似的人格气质及仕途遭际,因此在创作中大量接受了宋玉《九辩》及其他作品,尤其宋玉开创的悲秋主题引起吴国伦强烈的情感共鸣。吴国伦汲取了宋玉辞赋的创作特色,继承宋玉的悲秋主题,表达身世之感、宦游之思、生命之叹、家国之忧等多重情感内涵。他在感伤的基调上融入了乐秋的情怀,表现出不同于宋玉的悲秋态度,是悲秋主题的拓展与深化。Wu Guolun,living in the state of Chu in his late years and influenced by the local style of writing,shares similar personalities and official career with Song Yu.Therefore,he largely accepted the latter’s Nine Arguments and other works during his own compositions.Especially,the theme of autumnal melancholy pioneered by Song triggered Wu’s strong resonance.Wu absorbed Song’s writing features of poetry and also inherited his writing theme,embodying emotional connotations such as feelings to fortune,thoughts during office-hunting,sighs over life,and concerns for the nation.With the integration of autumnal cheerfulness with the keynote of sorrow,he manifested his own attitude toward autumnal melancholy in contrast to Song’s,which is an expansion and deepening of this theme.

关 键 词：吴国伦 宋玉 悲秋主题 承变 

分 类 号：I207.22[文学—中国文学]