2022舞蹈:创新转化,蓄势待发  

Dance in 2022: Innovating, Transforming and Being Ready

作　　者：张延杰[1] 任文惠[2] ZHANG Yanjie;REN Wenhui

机构地区：[1]《北京舞蹈学院学报》编辑部 [2]北京舞蹈学院人文学院

出　　处：《中国文艺评论》2023年第3期64-77,I0004,共15页China Literature and Art Criticism

基　　金：2022年度北京市社会科学基金一般项目“中国舞蹈‘当代性’创作实践与理论研究”(项目批准号:22YTB020)的阶段性成果。

摘　　要：2022年的中国舞蹈坚持创造性转化、创新性发展,在艺术创作、学科建设、人才培养、学术研究和舞蹈批评方面都出现新的热点、争议和探讨。本文在回顾这一年舞蹈作品演出的基础上,梳理了舞蹈界在新媒体传播以及跨界融合背景下关于舞蹈艺术本体发展和当代性的探讨;提出新版学科专业目录下舞蹈艺术面临的机遇和调整;回顾了舞蹈界在本土与国际的视角下对中国式现代化舞蹈道路的探索,以及在舞蹈评论方面中国传统艺术批评精神的回归。In 2022, under the guidance of the literary and artistic guideline of “innovative development and creative transformation,” new hot spots and controversies have emerged in the aspects of artistic creation, disciplinary construction, talent training, academic research and dance criticism. On the basis of reviewing the performance of dance works in the year, this article analyzes the discussion on the development of dance art in the context of new media communication and interdisciplinary integration, and puts forward the opportunity and adjustment of dance art under the new subject and specialty catalogue. Also, the article reviews the exploration of modern Chinese dance from the local and international perspectives and the return of the spirit of traditional Chinese art criticism in the aspect of dance criticism.

关 键 词：2022舞蹈 创造性转化 创新性发展 新媒体 跨界 学科建设 舞蹈评论 

分 类 号：J723[艺术—舞蹈]