《绿洲》  

Oasis

作　　者：爱艺(译) 

机构地区：[1]不详

出　　处：《英语世界》2022年第1期63-63,共1页The World of English

摘　　要：《绿洲》是勒内·马格利特1925年的作品,十分简单,画名如实表达画面内容,没有任何问题。2画面上的小桌子是用中国的散点透视法呈现的,桌上长着几棵树。云朵有的飘在树冠前,有的隐在树冠后,而云与地之间的距离很小,一看就不是真实世界。马格利特就是以此改变了空间比例,表明视角都是相对而言的。换句话说,他试图打破我们观念中固有的对自然界形态的条条框框。Rene Magritte painted Oasis in 1925,a simpler work with a title that is literal and presents no problem at all.2 The small table on which the trees are standing is painted in Chinese perspective.The clouds appear partly in front of and partly behind the crowns of the trees,while the distance between the clouds and the ground is too small to be realistic.Thus Magritte has altered spatial proportions here and shown that perspective is relative.In other words,he has tried to free the natural world from the rules and customs to which it is subjected by our conception of it.

关 键 词：画面内容 散点透视法 真实世界 树冠 空间比例 

分 类 号：G63[文化科学—教育学]