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作 者:胡爱华 Hu Aihua(School of Foreign Languages and Literature,Nanjing Tech University,Nanjing 211816,China)
机构地区:[1]南京工业大学外国语言文学学院,江苏南京211816
出 处:《黑河学院学报》2023年第1期152-154,共3页Journal of Heihe University
基 金:2019年度南京工业大学科研培育体系(哲学社会科学)“艾米莉·狄金森诗歌作品的伦理研究”(201910)。
摘 要:生态批评将人与自然的关系讨论作为研究中心,其终极关怀是重建新型的天人合一的精神家园和物质家园。生态批评视角下解读狄金森诗歌作品中生态思想的具体表征及内涵十分重要。诗人借助诗歌的力量绘制大自然画卷,讴歌大自然之美;抨击科学至上思想,展现大自然的破坏力;绘制天人合一的美好画卷,希冀人与自然和谐共存。因此,在当今科技话语主宰的时代从“绿色”视角重新阐释经典文学作品中的生态思想对于丰富当前语境下的生态研究十分必要,也能推动人与自然重塑和谐关系,从而促进人类自身的可持续发展。Ecocriticism regards the relationship between man and nature as its focus of research,whose ultimate concern is to rebuild a new spiritual and material home for the harmony between man and nature.It is of vital importance to rediscover,from the eco-critical perspective,the representations and connotations of Dickinson’s ecological thought in her poems.The power of poetry enables the poetess to portray the scenes of nature and eulogizes its beauty;she attacks the supremacy of science while demonstrating how nature causes wanton destruction;she draws a beautiful picture of the unity between man and nature while hoping that man and nature can coexist in harmony.Therefore,in this scienceand-technology-dominating era,reinterpreting the ecological thought of the classical works from the“green”perspective can not only enrich the ecological studies in the current context but also promote the reconstruction of a harmonious relationship between man and nature so as to achieve the sustainability of man himself.
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