从屈宋赋象审美意识到“丽”范畴的定型--中国赋体语言审美家园的筑造  

Shaping from the Aesthetic Consciousness of Fu Image of Qu Yuan and Song Yu to the Category of"Li":The Construction of the Aesthetic Homeland of Chinese Fu Language

作　　者：刘朝谦[1] 张丹[1] LIU Chaoqian;ZHANG Dan(School of Literature,Sichuan Normal University,Chengdu 610068,China)

机构地区：[1]四川师范大学文学院,四川成都610068

出　　处：《云梦学刊》2023年第2期73-80,共8页Journal of Yunmeng

基　　金：国家社会科学基金西部项目“中国赋美学通史”(18XZW001)。

摘　　要：屈宋赋象审美意识见于二人的赋文本中,由于未涉及对赋言美的认知,因此只能看成是中国赋美学的萌芽形态,但后世中国赋美学皆以这个审美意识为原初的基础。对赋体文学真正的审美认知,始于“丽”这个范畴的运用和扩展。在中国赋美学史上,扬雄最早把美学范畴“丽”用为赋体文学审美范畴,用以指赋言本身之美,以及赋言所呈现的赋象之美。曹丕将扬雄命题重说为“诗赋欲丽”的观点,至刘勰《文心雕龙》把“丽”在赋美学语境中扩展为一个词群。经历这样的历史建构,“丽”最终被确立为赋美学本质论的核心范畴,赋体文学审美的家园因此得以成功地筑造。The aesthetic consciousness of Qu Yuan and Song Yu can be founded in their Fu(赋)texts.Since it didn't involve the cognition of the beauty of Fu Language,it can only be regarded as the budding form of Chinese Fu aesthetics.The Chinese Fu aesthetics in the later times had taken this aesthetic consciousness as its original foundation.The real aesthetic cognition of Fu literature began with the application and expansion of the category of"Li(丽)".In the history of Chinese Fu aesthetics,Yang Xiong firstly used the aesthetic category"Li"as the aesthetic category of Fu literature to refer to the beauty of Fu Language itself and the beauty of Fu image presented by Fu language.Cao Pi restated Yang Xiong's proposition as the view of"poetry and Fu pursue gorgeous rhetoric"till Liu Xie expanded"Li"into a word group in the context of Fu aesthetics in Wenxin Diao Long(《文心雕龙》).Through such the historical construction,"Li"was eventually established as the core category of the essence theory of Fu aesthetics.Therefore,the aesthetic homeland of Fu literature had been successfully constructed.

关 键 词：赋象之美 审美意识 丽 赋言之美 赋美学本质论 

分 类 号：I207.22[文学—中国文学]