揭开真面:论苏轼庐山诗的文化内涵  

Uncovering the Truth:Cultural Connotation of Su Shi’s Lushan Poems

作　　者：李静文 郑虹霓 王慧文 LI Jingwen;ZHENG Hongni;WANG Huiwen(School of Literature,Fuyang Normal University,Fuyang Anhui 236037,China)

机构地区：[1]阜阳师范大学文学院,安徽阜阳236037

出　　处：《海南热带海洋学院学报》2023年第1期45-52,共8页Journal of Hainan Tropical Ocean University

基　　金：安徽省高校协同创新项目(GXXT-2020-040)。

摘　　要：庐山在历史发展中形成独特的人文景观,成为一种重要的文化符号。苏轼庐山诗也成为“远近高低各不同”的庐山面目的组成部分。庐山之所以具有不同面目,主要原因还是人的介入。苏轼诗中的庐山首先是具有山水的本来面目,其次是引发禅理思辨的名山,最后是追慕隐逸之风的名胜。苏轼的庐山诗既得庐山之助又反哺庐山,丰富了庐山的文化内涵。Lushan has formed a unique cultural landscape in its historical development and become an important cultural symbol.Su Shi’s Lushan poems have also become an important component of Lushan featured by “assuming different shapes viewed from far and wide”.The main reason why Lushan has different features is human intervention.In Su Shi’s Lushan poems, first of all Lushan has the nature of the landscape;then it is the famous mountain that triggers Buddhism thinking and critical thinking;thirdly it is a famous place to purse the wind of seclusion.Su Shi’s Lushan poems not only get the support of Lushan, but also nurture Lushan, and enrich the cultural connotation of Lushan.

关 键 词：苏轼 庐山诗 山水 佛教 隐居 

分 类 号：B244.99[哲学宗教—中国哲学]