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作 者:徐杰[1] XU Jie(School of Chinese Language and Literature,Southwest Minzu University,Chengdu 610041,China)
机构地区:[1]西南民族大学中国语言文学学院,四川成都610041
出 处:《西华师范大学学报(哲学社会科学版)》2023年第2期93-99,共7页Journal of China West Normal University:Philosophy & Social Sciences
基 金:国家社会科学基金项目(19FZWB028);四川省哲学社会科学重点研究基地四川网络文学发展研究中心资助科研项目(WLWX-2019004)。
摘 要:语境诗学将“语境”作为文学理论的本体范畴、元话语和先验结构,重新反思文论体系的基础概念和理论观念。其自身作为一种诗学话语具有批判哲学、后批判哲学和“后理论”的理论品性:语境诗学是一种“反思型”文学理论,既重视主观概念和理论对经验事实的整合和同化,又对文学的经验事实动态性地开放;语境诗学是一种“默会性”的理论话语,它关注文学的言说和未言说、“焦点觉知”和“附属觉知”之间的意义互动关系。文学语境带有“原初自明性”的默会性,也即“内居”于世界之中,而非超然世界之外地思考世界;在“后理论”思潮之中,文学理论开始拒斥“大理论”或“宏大叙事”,强调以小理论化或者“语境化”的理论进路面对文学现象。语境诗学关注文学事实或文学作品的“具体性”,以及文学自身的“唯一性”和“独特性”价值。The contextual poetics takes “context” as the ontological category, metadiscourse and transcendental structure of literary theory, and rethinks the basic concepts and theoretical concepts of the literary theory system.As a kind of poetic discourse, it has the theoretical qualities of critical philosophy, post-critical philosophy and “post-theory”:The contextual poetics is a “reflexive” literary theory, which not only emphasizes the integration and assimilation of the empirical facts by subjective concepts and theories, but also opens to the empirical facts of literature dynamically.The contextual poetics is also a kind of “tacit” theoretical discourse, which focuses on the interaction of meaning between literary utterance and non-utterance, “focus awareness” and “accessory awareness”.The literary context has the tacit nature of “original self-evidence”,that is, it “lives within” the world, rather than thinks about the world outside of the detached world.In the “post-theoretical” trend of thought, literary theory began to reject “big theories” or “grand narratives”,and emphasized the use of small theorizing or “contextualized” theories to approach literary phenomena.The contextual poetics pays attention to the literary facts or the “concreteness” of literary works, as well as the “uniqueness” and “uniqueness” value of literature itself.
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