浙籍学者视域中的《水浒传》文体性质考辨  

Textual Research on the Stylistic Nature of Water Margin from the Perspective of Zhejiang Scholars

作　　者：王辉 李林策 WANG Hui;LI Lince(The Research Center for Chinese Ancient Literature,Fudan University,Shanghai 200433;Rui’an No.8 High School of Zhejiang Province,Rui’an 325200,China)

机构地区：[1]复旦大学中国古代文学研究中心,上海200433 [2]浙江省瑞安市第八中学,浙江瑞安325200

出　　处：《太原师范学院学报（社会科学版）》2023年第1期44-49,共6页Journal of Taiyuan Normal University:Social Science Edition

基　　金：国家哲学社会科学重点项目“现代文学批评编年史”(17AZW003)。

摘　　要：浙籍学者以“稗史”“演义”“传奇”“奇书”“词话”与“平话”作为《水浒传》的文体术语,其原因主要在于侧重点有所不同。称《水浒传》为“稗史”与“演义”,起初是宗史尚学观念的延续,以至批评颇显学问化特色,其后则是突出其通俗感人、以才济学的文学价值。以“传奇”与“奇书”观照《水浒传》,一方面因其于题材、结构与文辞诸方面求奇,一方面借以说明小说与戏曲两类文体的关联性。将《水浒传》视作“词话”与“平话”,主要在于强调其适于说唱、表演与文体杂糅而不乱不隔的特质。Zhejiang scholars use "unofficial history","romance","legend","qishu","Cihua" and "Pinghua" as the stylistic terms of Water Margin mainly because of the different emphases.Defining Water Margin as the"unofficial history" and "romance" firstly was a continuation of the concept of academic field,so the criticism was put in a more academic way.Later it was to highlight its popular and touching literary value.Viewing Water Margin with "legend" and "qishu",on the one hand,it focuses on its curiosity in terms of theme,structure and rhetoric,and on the other hand,it expounds the relationship between novel and opera.Defined Water Margin as "cihua"and "pinghua”,the main purpose is to emphasize its hybrid characteristics of mixing singing and talking,performance and literary style without any incompatibility.

关 键 词：浙籍学者 《水浒传》 文体性质 稗史 传奇 

分 类 号：I207.412[文学—中国文学]