建构具有中国特色的比较艺术学话语体系  

Construction of the Comparative Art Discourse System with Chinese Characteristics

作　　者：杨玉华 罗静 谭城 Yang Yuhua;Luo Jing;Tan Cheng(Chengdu University,Chengdu,sichuan,610106)

机构地区：[1]成都大学文学与新闻学院,四川成都610106 [2]成都大学文新学院,四川成都610106

出　　处：《成都大学学报（社会科学版）》2023年第2期100-108,共9页Journal of Chengdu University (Social Sciences)

基　　金：国家社科基金重大招标项目“东方古代文艺理论重要范畴、话语体系研究与资料整理”(项目编号:19ZDA289)。

摘　　要：中国有源远流长的比较艺术学传统、丰富多样的比较艺术学资源和数量颇丰的比较艺术学文献资料,并在长期的各艺术门类的比较通观中形成了诸如“诗乐舞一体”“诗中有画画中有诗”“通感”等规律性认识,创造了一系列具有鲜明中华民族特色的具有比较视野的艺术范畴、概念和独特的理论方法、言说方式。但在“全盘西化”的价值导向下,我们渐渐丢掉了自己的传统,而只能跟在西方后面亦步亦趋。在新的历史条件下,如何接续中国艺术学传统血脉,在众声喧哗的国际比较艺术学学界发出自己独特声音、建构自己的独特理论、彰显自己独特价值,就成了广大比较艺术学研究者面临的重大课题。本文即想在这方面做一些探索,以期对建构具有中国特色的比较艺术学话语体系有所裨益。China has a long-standing and well-=established tradition of comparative art,rich and diverse comparative art resources,and a large number of comparative art literature.Besides,regular understandings such as“the integration of poetry,music and dance”,“poetry in painting and painting in poetry”,and“synaesthesia”have been developed in the long-term comparison of art classes,creating a series of artistic categories,concepts,unique theoretical methods and expression ways with distinctive Chinese national characteristics.However,under the value orientation of“total westernization”,we gradually lost our tradition,and could only imitate the West at every step.Under the new historical conditions,how to inherit the traditional bloodline of Chinese art,and how to make our own voice,construct our distinct theories,and highlight our unique value in the prosperous international comparative art circle,has become an important subject facing the comparative art researchers.This paper makes some explorations in this regard,expecting to contribute to the construction of the comparative art discourse system with Chinese characteristics.

关 键 词：比较艺术学 中国传统文化 诗画异同论 话语体系 

分 类 号：B835[哲学宗教—美学]