明清时期家具螭龙纹形态演变探析  

Analysis of the Ming and Qing Dynasties’Furniture Chi-Dragon Pattern Evolution

作　　者：周志慧 刘铁军[1] Zhou Zhihui;Liu Tiejun

机构地区：[1]清华大学美术学院,北京100084

出　　处：《家具与室内装饰》2023年第3期1-6,共6页Furniture & Interior Design

基　　金：清华大学研究生教育教学改革项目(202007J032)。

摘　　要：螭龙纹是典型的中国传统装饰纹样,多见于古建筑、家具、青铜器、玉器、瓷器、服饰上。明清时期是中国传统家具发展史上的繁荣时期,螭龙纹在家具上频繁出现,成为明清家具上最具代表性的装饰纹样之一,具有鲜明的时代特征。本文以“螭龙纹”为研究对象,用图像学、考古类型学研究方法以时间为序分析螭龙纹在中国历史上的演化过程,明清螭龙纹的构成内容、构成形式等实体形态特征,再通过相关文献研究螭龙纹背后影射的精神象征寓意。本文意在探析螭龙纹在明清时期家具装饰中的实体形态和意识形态之演变。The Chi-dragon pattern is a typical traditional Chinese decoration pattern,which is invariably observed in ancient architecture,furniture,bronze ware,jade ware,porcelain,and clothing.The Ming and Qing dynasties were a prosperous period in the history of the development of Chinese traditional furniture.The Chi-dragon pattern appeared frequently on furniture and became one of the most representative decorative patterns on furniture in the Ming and Qing dynasties,reflecting the distinctive characteristics of the times.Taking“Chi-dragon pattern”as the research object,this paper analyzes the historical evolution process of the Chi-dragon pattern in the order of time,the physical morphological characteristics such as the content and form of the pattern,and subsequently studies the spiritual symbolic meaning of the reflection behind the pattern through relevant literature.This paper aims to investigate the evolution of the physical form and ideology of the Chi-dragon pattern in the furniture decoration of the Ming and Qing dynasties.

关 键 词：明清家具 装饰纹样 螭龙纹 

分 类 号：TS664.1[轻工技术与工程]