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作 者:石麟 SHI Lin(College of Liberal Arts,Hubei Normal University,Huangshi 435002,China)
出 处:《湖北师范大学学报(哲学社会科学版)》2023年第2期41-48,共8页Journal of Hubei Normal University(Philosophy and Social Science)
摘 要:明代的民歌时调流传至今者不少于一千首,其间所体现的思想情调基本上是积极健康的,反映的生活面也非常广泛,当然又以人们的情感生活尤其是青年男女的爱情生活为主,所有这些都以一个“真”字贯穿其间。其表现方式,更是五花八门,百花齐放,但都力图体现一个“趣”字。因此,讲清了“真”与“趣”,就等于抓住了明代民歌时调的三魂六魄。There are more than a thousand folk songs passed down by generations from Ming dynasty,among which the majority are basically with positive thoughts and widely reflect many aspects of life.These folk songs also describe people’s emotional life,especially on the affection and love contents of youths’lives.The trueness is a clue going through in all these themes.The ways of embodying are various,which are all focused on the taste.Therefore,the analysis on the“trueness”and“taste”of the folk songs is the essence of the folk songs,and it also clarifies the spiritual pursuance.
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