提香绘画中的色彩艺术——以《达那厄》为例  

The Art of Color in Titian's Paintings--a Case Study of Danae

作　　者：张芳 Zhang Fang(China Academy of Art)

机构地区：[1]中国美术学院

出　　处：《流行色》2023年第2期139-141,共3页Fashion Color

摘　　要：在16世纪,提香因其绘画所具有自发性和表现力成为威尼斯画派的代表人物,他对油画技艺及色彩表现力的发展也成为了后世研究的焦点。本文力图从16世纪素描与色彩之争着手,结合威尼斯绘画理论,探索《达那厄》一作在提香艺术风格形成中所处的位置,进而分析该作品在色彩表现形式上所展现的价值。In the 16th century,Titian has become a representative painter of Venice School because of his spontaneity and expressiveness,and his development of oil painting technique and color expressiveness has also become the focus of later studies.In combination with Venice painting theory,this paper intends to explore the position of danaëin the formation of Titian’s artistic style from the dispute between disegno and colorito in the 16th century,and then analyze its value in color expression.

关 键 词：提香 威尼斯画派 《达那厄》 

分 类 号：J21[艺术—美术]