袁河锣鼓戏音韵考略  

A Brief Study of Phonology in Yuanhe Luogu Opera

作　　者：李政 胡松柏[2] LI Zheng;HU Song bai(Research Center for Language and Language Education,Central China Normal University,Wuhan 430079,China;College of Humanities,Nanchang University,Nanchang 330038,China)

机构地区：[1]华中师范大学语言与语言教育研究中心,湖北武汉430079 [2]南昌大学人文学院,江西南昌330038

出　　处：《宜春学院学报》2023年第2期54-60,共7页Journal of Yichun University

基　　金：国家社科基金重点项目“区域通语视角下江西地方戏曲音韵研究”(项目编号:16AYY009)。

摘　　要：袁河锣鼓戏是流行于江西宜春等地的地方戏曲之一。袁河锣鼓戏舞台语音系统有21个声母、49个韵母、5个声调。袁河锣鼓戏的音系与宜春方言音系之间具有较高的一致性。袁河锣鼓戏有独特的音韵特点。袁河锣鼓戏舞台语言属于带有浓郁赣语色彩的地方官话。袁河锣鼓戏韵辙可归纳为“二十七部”。Yuanhe Luogu Opera is one of the local operas popular in Yichun,Jiangxi province.There are 21 initials,49 finals and 5 tones in the stage voice system of Yuanhe Luogu Opera.There is a high consistency between the phonology of Yuanhe Luogu Opera and Yichun dialect.Yuanhe Luogu Opera has its unique phonological characteristics.The stage language of Yuanhe Luogu Opera belongs to the local mandarin with a strong color of Gan dialect.The rhyme of Yuanhe Luogu Opera can be summarized into“twenty seven parts”.

关 键 词：袁河锣鼓戏 语音系统 音韵特点 性质 韵辙 

分 类 号：H175[语言文字—汉语]