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作 者:严俊 许北辰 YAN Jun;XU Bei-chen
机构地区:[1]上海大学社会学院 [2]上海大学经济社会学与跨国企业研究中心(IESM)
出 处:《社会学评论》2023年第2期212-236,共25页Sociological Review of China
基 金:教育部人文社会科学研究青年基金项目(19YJC840051)。
摘 要:国内各地近年来涌现出众多“艺术乡建”活动,引发学界广泛关注。区别于结果导向的项目评估思路和价值导向的文化批判思路,本文聚焦具有明确乡村改造目标的活动类型,从经济社会学视角提出了一个基于“利益–规范”双重目标的群体互动分析模型,力图深化对艺术乡建实践与争议的理解。通过模型与经验的交叉对话,本文探讨了两个著名艺术乡建案例的演化逻辑,并就其差异化路径的成因与社会后果做出比较分析。最后,本文还尝试讨论了艺术乡建理想与“文化自觉”概念的内在关联。The"artistic rural construction"aactivities that emerged in China in recent years have attracted extensive concern in the academic circle.Unlike result-oriented project evaluation and value-oriented cultural criticism,this article focuses on projects with a definite purpose of rural construction and proposes a group interaction analysis model based on the dual purpose of interest and norm from the perspective of economic sociology.It aims to deepen the understanding of the practice and disputes of artistic rural construction.Through the cross-dialogue between model and experience,this article discusses the evolution logic of two famous cases of artistic rural construction,and compares the causes and social consequences of their differentiated paths.At last,based on the findings of mechanism-based studies,this article also tried to discuss the intrinsic relation between the ideal of artistic rural construction and the concept of"cultural self-consciousness".
关 键 词:艺术乡建 “利益-规范”双重目标 群体互动 文化自觉
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