从《时间》双视角下的器物意象看堀田善卫的战争书写  

A Study of Yoshie Hotta′s War Views from a Two-perspective Analysis of Object Images in Time

作　　者：张艳秋 徐凤[1] ZHANG Yan-qiu;XU Feng(School of Translation and Interpretation,Qufu Normal University,Rizhao 276826,China)

机构地区：[1]曲阜师范大学翻译学院,山东日照276826

出　　处：《青岛农业大学学报（社会科学版）》2023年第1期100-104,共5页Journal of Qingdao Agricultural University(Social Science)

摘　　要：《时间》是日本战后派代表作家堀田善卫(1918—1998)描写南京大屠杀的长篇小说,这部作品体现了堀田善卫对南京大屠杀的反思以及对中日关系的思考,对促进中日关系的和平发展有着深刻的意义。堀田善卫在该作品中采用双视角进行叙述,并通过大量的器物意象描写表现了其战争书写中两面性、客观性、真实性、暗示性的特点。Time is a novel about the Nanjing Massacre written by Yoshie Hotta(1918-1998),a representative writer of the Japanese post-war school.The novel reflects Yoshie Hotta′s reflection on the Nanjing Massacre and his thoughts on Sino-Japanese relations,which is of profound significance for promoting the peaceful development of Sino-Japanese relations.In this work,two perspectives are used for narration and a large number of image descriptions are used to express Hotta′s war views.This paper makes an in-depth interpretation of the novel and explores Hotta′s view of war through the description of the image of objects from the dual perspectives of outsider and insider,revealing the characteristics of duality,objectivity,authenticity and suggestiveness in his war writing.

关 键 词：堀田善卫 《时间》 双视角 器物意象 战争书写 

分 类 号：I106.4[文学—世界文学]