图像与写作——罗兰·巴特文本视角下的日本桂离宫建筑印象重构  

Images and Writings:Reinventing the impressions of Katsura Imperial Villa from the View of Roland Barthes'Textual Concept

作　　者：肖馺 XIAO Sa

机构地区：[1]广州美术学院建筑艺术设计学院,广州510000

出　　处：《建筑学报》2023年第3期117-121,共5页Architectural Journal

基　　金：2022年度广东省本科高校教学质量与教学改革工程建设项目(粤教高函[2023]4号);广州美术学院学术提升计划项目(21XSC49)。

摘　　要：借用罗兰·巴特的“文本”视角,围绕1960年出版的《桂离宫:日本建筑的传统与创新》及其相关书籍写作,将它们视为关于桂离宫的“文本”,结合创作语境、图像呈现、文章评述进行细读。在这一过程中,关于日本桂离宫的写作成为现代主义建筑大师们所重构的“作品”:通过图像和写作“符号”,对日本桂离宫进行了一系列的印象重构。其目的并非在于完整地反映建筑的原貌,而是通过“能指”的形式表达,建构适用于现代主义语境范畴的“所指”内涵,创作出现代主义审美视角下的开放式阅读体验。From the view of"text"by Roland Barthes,this paper focuses onKatsura:Tradition and Creation in Japanese Architecture published in 1960 and related publicationsto study them as"texts"about the Katsura Palace,and examines them along with the publishing context,image presentation,and commentary writings.In this process,the publications on Katsura became a"work"reconstructed by modernist architects:through images and writing"signs",a series of impression on the Palace were being reconstructed.The purpose of the writings does not lie in fully reflecting the original appearance of the building,but,in the form of"signifier",reconstructing the"signified"connotation suitable for the modernist context,so as to create an open reading experience from the perspective of modernist aesthetics.

关 键 词：图像 文本 符号 桂离宫 现代主义 

分 类 号：TU-86[艺术—艺术设计]