民间伦理观照下20世纪90年代中国文学疾病叙事  

A Study on Chinese Literary Disease Narrative in the 1990s from the Perspective of Folk Ethics

作　　者：李御娇 Li Yujiao

机构地区：[1]湖北民族大学文学与传媒学院

出　　处：《复印报刊资料（中国现代、当代文学研究）》2022年第10期127-133,共7页MODERN AND CONTEMPORARY CHINESE LITERATURE

基　　金：国家社会科学基金西部项目“传播学视城下中国少数民族文学经典化研究(1917-2017)”(18XZW029);湖北省高等学校省级教学研究项目“新医科视阈下《文学与叙事医学》课程建设探索”(2021373)。

摘　　要：20世纪90年代文学疾病叙事剔除了精神装饰和日常生活的诗意,消解了各种意义与价值,获得了“自由-自在”的民间伦理内核。疾病叙事是民间被外力侵犯、否定和批判的表征,也是多种力量相互抵牾、碰撞和斗争的折射,它承纳和包藏着苦难和艰辛,是弱势的化身。由于某种“隐形结构”的存在,民间疾病形成了自己的“话语系统”,并时刻进行着自我拯救和自我获得的努力,也是韧性的象征。同时,民间疾病颠倒或倒错的叙事策略,又超越了具体道德判断,具有了人本主义与感伤主义生命悲剧美学蕴涵。The narrative of literary disease in the 1990s has eliminated spiritual decorations and the poetry of daily life,dispelled various meanings and values,and gained the folk ethieal core of"freedom-comfort".Being not only a representation of the people being violated,denied and criticized by external forces,but also a reflection of the conflict,collision and struggle of various forces,the narrative of literary disease accommodates and features suffering and hardships,and is the embodiment of weakness.However,due to the existence of?"invisible structure",folk diseases have formed their own"discourse system",and they have been constantly striving for self-salvation and self-acquisition,which is a symbol of tesilietice.Tiuiisueiidiiig specifii muial judgments,the narrative strategy of inversion m peiveisiuu uf fulk diseases lias the aesthetic implication of super good and evil and humanistic life tragedy.

关 键 词：文学疾病叙事 民间伦理 悲剧美学 

分 类 号：I207.42[文学—中国文学]