小说与技术的共振--王蒙新时期小说视觉叙事与多维时空构建  

The Resonance of Fiction and Technology:Visual Narration and Multidimensional Time and Space Construction of Wang Meng's Novel in the New Period

作　　者：耿传明[1] 陈蕾 Geng Chuanming;Chen Lei

机构地区：[1]南开大学文学院,天津300071

出　　处：《复印报刊资料（中国现代、当代文学研究）》2022年第3期145-154,共10页MODERN AND CONTEMPORARY CHINESE LITERATURE

基　　金：国家社会科学基金-般项目“时空意识的嬗变与20世纪中国小说形态的演进”(14BZW116)。

摘　　要：王蒙在新时期开创了中国当代文体实验类小说的先河,这种文体实验的一个重要特征表现在其小说由传统听觉性叙事向现代视觉性叙事的转换。王蒙文体实验小说中多变的光影、图像效果与意识流特征以及自由穿梭于不同叙事层面的叙事视角、多种视觉肌理营造的碎片化文本形态所体现出的视觉化特征,与新时期科技领域大力发展的色彩技术、媒介技术等视觉技术具有相通之处。这种视觉叙事的发展深刻影响了小说形态的转变,促进了文体实验与现代视觉技术的融合,拓展了小说的内在多维时空。In the new era,Wang Meng pioneered the genre of Chinese contemporary stylistic experimental novels,an important feature of which is the transformation of his novels from traditional aural narrative to modern visual narrative.The visual features of Wang Meng's experimental novels,such as the changeable light,shadow and image effect,the narrative perspective that shuttles freely between different narrative planes,and the fragmentary text forms created by various visual textures,are similar to the visual technologies such as color technology,media technology and other visual technology which have been greatly developed in the field of science and technology in the new period.The development of visual narrative has a profound impact on the transformation of the form of the novel,promoting the fusion of stylistic experiment and modern visual technology,and expanding the inherent multidimensional space and time of the novel.

关 键 词：王蒙 文体实验 技术 视觉 多维时空 

分 类 号：I207.42[文学—中国文学]