韩愈《毛颖传》与明代假传文新论  

Han Yu’s Mao Ying Zhuan and the Fictional Biographies in Ming Dynasty

作　　者：高惠 Gao Hui

机构地区：[1]南京大学文学院,江苏南京210023

出　　处：《南京师范大学文学院学报》2023年第1期153-161,共9页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：明代假传文创作兴盛,在韩愈《毛颖传》基础上渐成一种新文体,相较于《毛颖传》的托讽意味,明代假传文强调虚、实与真、幻的“幻笔”特征,以及在表达上呈现世俗教化之趋向。而于目录分类上,明代假传文选本由集部向子部转变,由散文选本发展为类书体式,并在小说琐语、日用类书之间承担不同功能。因此,明代假传文又在创作上进一步开拓对文化、医药、博物等知识与文字技巧的运用,展示出明代士人的日常生活空间,其背后亦隐含明代知识系统的构建。In the Ming Dynasty,the creation of fictional biography flourished and gradually became a new literary genre based on Han Yu's Mao Ying Zhuan.Compared with the ironic sense of Han’s work,the fictional biographies of the Ming Dynasty emphasizes the illusionary characteristics,which has both real and imaginary features.It presents the tendency of secular education in its expression.In terms of catalog classification,the collections of these biographies shifted from the literati anthology section to the scholars’miscellaneous book section,and developed from the prose anthology to the encyclopedia style,and assumed different functions from fictional trivialities to daily use books.Therefore,Ming Dynasty fictional biographies have further developed the use of cultural,medical,and museum knowledge and writing skills in their creation,showing the daily life space of Ming Dynasty scholars,behind which the construction of the Ming Dynasty knowledge system is also implied.

关 键 词：韩愈 《毛颖传》 明代假传文 

分 类 号：I206.09[文学—中国文学]