论写意性油画创作中审美意象的生成过程  

On the Production Process of Aesthetic Imagery in Freehand Oil Painting

作　　者：陈明 Chen Ming(College of Arts,Qilu Normal University,Jinan 250013,China)

机构地区：[1]齐鲁师范学院美术学院,山东济南250013

出　　处：《齐鲁师范学院学报》2023年第2期150-156,共7页Journal of Qilu Normal University

摘　　要：中国写意油画沿袭了中国古典美学传统思维方式,善用写意、表现的艺术语言表达自己对世界的感受,即使在绘画中也体现出明显的东方意蕴。意象,作为主体对客体主观反映产生的一种心理存在,本是中国画论中的一个概念,具有鲜活的个性特征,“意”是人的主观感受与审美理想,“象”是主观感受在内心形成的一种映像,是没有物质化的、非现实的意识存在,其类型与主观思维方式和图形化的结果息息相关,意象构成了审美的表象系统。意象作为非现实的物质形态只是流于可想而不可视的意识层面,将意象转化为可视的形式符号,使之从心理层面上升为实在的物质层面,成为具有物质外观的真实存在,意象才能成为艺术作品。探索意象在油画创作中产生、物化、物态化的生产过程,实际上就是探索中国意象油画艺术的创作过程。Chinese freehand oil painting inherits the traditional Chinese classical aesthetic thinking,making good use of freehand,expression art language to express their feelings towards the world,even in the painting also reflects the obvious oriental implication.Imagery,as a psychological existence subjectively reflected on the object,is actually a concept in Chinese painting,with vivid individual characteristics.“Yi”(the first word of the imagery in Chinese)is the subjective feeling and aesthetic ideal of people,while“Xiang”(the second word of the imagery in Chinese)is an image formed in the inner heart,which is an immaterial and unreal conscious existence,and its type is closely related to subjective thinking and graphic results.Imagery constitutes the representation system of aesthetics.As an unreal material form,imagery is merely flowing in the level of conceivable but invisible consciousness.To transform imagery into visible form symbols,making it rise from the psychological level to the real material level and become a real existence with material appearance,the imagery can become an artwork.Exploring the production process of imagery generation and materialization in oil painting is actually exploring the creation process of Chinese imagery oil painting.

关 键 词：审美意象 物态化 油画创作 

分 类 号：J20[艺术—美术]