王向峰马克思主义文艺思想的民族主体性接受  

Wang Xiangfeng’s View on the National Subjective Acceptance of Marxist Literary and Art Thoughts

作　　者：高楠[1] GAO Nan(College of Literature,Liaoning University,Shenyang 110136,China)

机构地区：[1]辽宁大学文学院,辽宁沈阳110136

出　　处：《辽宁大学学报（哲学社会科学版）》2023年第2期106-113,共8页Journal of Liaoning University(Philosophy and Social Sciences Edition)

基　　金：国家社科基金重大项目“文学理论中国范式研究”(19ZDA266)。

摘　　要：《〈手稿〉的美学解读》是王向峰“解读美学”的代表作。王向峰用他中外融通、古今相谐的学术视野对马克思《1844年经济学哲学手稿》进行了相当全面、系统的阐发,对于围绕《手稿》进行的种种误读、曲解、歪曲进行了厘清。王向峰通过立足当下的跨越时空的思维转换与融会贯通,通过把现实问题带入《手稿》解读进而使解读成为问题式解读,通过把马克思主义文学理论及美学理论的教学理念转化为《手稿》的解读根据,务求对《手稿》文本读深解透,形成对《手稿》的中国传统文学艺术思维的民族主体性接受。与此同时,《〈手稿〉的美学解读》也很充分地展示了王向峰创立的“解读美学”的理论与实践的特征与要点。The Aesthetic Interpretation of the Manuscript(shortened form of Marx’s Economic 8 Philosophical Manuscripts of 1844)is Wang Xiangfeng’s masterpiece on“Interpreting Aesthetics”.With his vast and deep knowledge,Wang Xiangfeng makes a comprehensive and systematic elaboration of the Manuscript,clarifying various misunderstandings,misinterpretations,and distortions about the Manuscript.By transforming and integrating thoughts across time and space based on the current situation,by analyzing practical problems with the interpretation of the Manuscript and thereby making the interpretation a problematical interpretation,by interpreting the Manuscript on the basis of transforming the teaching concepts of Marxist literary and aesthetic theories,Wang Xiangfeng offers a deep and thorough understanding of the Manuscript,forming a national subjective acceptance in the light of traditional Chinese literary and art thoughts.At the same time,The Aesthetic Interpretation of the Manuscript also gives a detailed description of the characteristics and key points of the theory and its application of“interpretive aesthetics”proposed by Wang Xiangfeng.

关 键 词：马克思主义文艺思想 民族主体性 美学解读 

分 类 号：I01[文学—文学理论]