复调艺术视域下林语堂的《吾国与吾民》解读  

Interpretation of Lin Yutang's My Country and My People from the Perspective of Polyphonic Art

作　　者：王绍舫[1] WANG Shaofang(College of Foreign Languages,Shenyang University,Shenyang 110041,China)

机构地区：[1]沈阳大学外国语学院,辽宁沈阳110041

出　　处：《沈阳大学学报（社会科学版）》2023年第2期105-112,共8页Journal of Shenyang University:Social Science

摘　　要：以现代作家林语堂的散文集《吾国与吾民》作为研究文本,运用复调艺术理论和文本细读的研究方法,从文体复调、情感复调和时空观念复调三个层面进行观察和解读,探究其在中西文化对话时体现的包容性、特殊性和艺术魅丽。认为复调艺术使他的文化立场挣脱了西方思想传声筒角色的限制,为“一带一路”中国文化传播和参与全球化语境下的世界文化建构给出了有益的启示。In light of polyphonic art theory and text detailed-reading research method,this paper analyzes prose collection My Country and My People by modern writer Lin Yutang from three levels of stylistic polyphony,emotional polyphony and time-space polyphony,and explores his inclusiveness,particularity and artistic charm reflected in the dialogue between Chinese and Western cultures.It believes that polyphonic art makes his cultural stand free from the shackles of being a mouthpiece of western thought and provides exemplary contribution for the cultural promotion of the“One-Belt and One-Road”development and the construction of world culture under the context of globalization.

关 键 词：《吾国与吾民》 复调艺术 中国文化传播 示范性贡献 

分 类 号：I206[文学—中国文学]