尼古拉斯·沃尔特斯托夫论再现和表现  

Nicholas Wolterstorff’s View on Representation and Presentation

作　　者：章辉[1] ZHANG Hui

机构地区：[1]三峡大学文学与传媒学院,湖北宜昌443002

出　　处：《三峡大学学报（人文社会科学版）》2023年第3期77-85,116,共10页Journal of China Three Gorges University(Humanities & Social Sciences)

基　　金：湖北省教育厅哲学社会科学研究重大项目“分析美学研究”(20ZD032)。

摘　　要：沃尔特斯托夫以行为理论界定再现,强调艺术家的行为而非符号性的文本,提出再现是世界投射的观点,艺术创作的独特性被呈现出来;把虚构世界中的存在物的本体论界定为种类,突出了虚构性存在物的抽象性,其中对虚构人物特质的分析,推动了对虚构世界的认识;提出表现的契合论,分析了我们判断艺术品的表现性出现歧义的各种缘由。再现和表现是西方美学的重要问题,沃尔特斯托夫的再现论和表现论给中国当代美学建设提供了可资借鉴的学术思想。Nicholas Wolterstorff defines representation with the Behavior Theory,emphasizes artists’behavior rather than symbolic text,and puts forward the view that representation is the projection of the world,presenting the uniqueness of artistic creation,the ontology of the beings in the fictional world defined as a category by him to highlight the abstractness of the fictional beings.His analysis of fictional characters’characteristics promotes the understanding of the fictional world.He also puts forward the correspondences theory of representation and analyzes the various reasons for the ambiguity in judging the performance of artworks.Representation and presentation are important themes in western aesthetics.Nicholas Wolterstorff’s view on representation and presentation provides academic inspiring ideas for the development of contemporary Chinese aesthetics.

关 键 词：再现 表现 世界投射 种类 沃尔特斯托夫 

分 类 号：B83-069[哲学宗教—美学]