都市的城府与“反都市”的文学想象——评李洪华著《20世纪中国作家的都市体验与文学想象》  

Urban Characteristics and Literary Imagination of Anti-city——On Li Honghua sUrban Experience and Literary Imagination of Chinese Writers in the 20 th Century

作　　者：高建青[1] GAO Jianqing(School of Literature and Journalism,Yichun University,Yichun 336000,China)

机构地区：[1]宜春学院文学与新闻传播学院,江西宜春336000

出　　处：《南昌师范学院学报》2023年第1期62-66,共5页Journal of Nanchang Normal University

摘　　要：20世纪以来,现代化、城镇化乃至全球化的浪潮冲刷了既有的城乡结构和乡土观念,都市越来越成为文学书写的重要对象。李洪华的《20世纪中国作家的都市体验与文学想象》出发点并不在于20世纪中国都市文学整体面貌的学术总结,而在于都市文学书写者的形象建构;其落脚点不仅在于作家的文学想象,更在于作家本人的都市体验。这是一部关于人、文和城的关系的书。20世纪中国作家的都市体验是都市文学想象的基础,但乡土中国特有的乡愁又使得这种都市文学想象富有“反都市”的意味,都市中的“人”与“文”由此充满了张力,都市的城府与文学家的性格浑然一体,阅读城市也成了阅读文学、理解作家的一种新方式。Since the 20th century,the tide of modernization,urbanization and even globalization has washed away the existing urban and rural structure and local concepts,and cities have increasingly become an important object of literary writing.The starting point of Li Honghua sUrban Experience and Literary Imagination of Chinese Writers in the 20th Century is not the academic summary of the overall appearance of Chinese urban literature in the 20th century,but the image construction of urban literature writers.Its purpose lies not only in the writer s literary imagination,but also in the writer s own urban experience.It is a book about the relationship between people,culture and city.The urban experience of Chinese writers in the 20th century is the basis of urban literary imagination,but the unique nostalgia of rural China makes this urban literary imagination full of“anti-urban”color.The“people”and“literature”in the city are thus full of tension.The urban characteristics and the personality of writers are integrated.Reading the city has also become a new way to read literature and understand writers.

关 键 词：中国作家 都市体验 反都市 文学想象 

分 类 号：I206.7[文学—中国文学]