论卢卡奇文化批判理论的内在逻辑  

On the Inner Logic of Lukács'Cultural Criticism Theory

作　　者：陈食霖[1] 屈直[1] Chen Shilin;Qu Zhi(Zhongnan University of Economics and Law)

机构地区：[1]中南财经政法大学哲学院,湖北武汉430073

出　　处：《武汉大学学报（哲学社会科学版）》2023年第3期70-79,共10页Wuhan University Journal：Philosophy & Social Science

基　　金：国家社会科学基金项目(21BZX023);湖北省“深度学习——研究阐释党的二十大精神”专项课题(2023)。

摘　　要：卢卡奇文化批判理论的形成和发展,先后经历了以文艺美学批判、物化批判、意识形态批判和日常生活批判为理论重心的几个阶段,并表现为文艺美学批判理论、物化批判理论、意识形态批判理论和日常生活批判理论等具体的理论样态。然而,不同的具体理论样态彼此之间并不是孤立的,它们存在着紧密的逻辑关系。具体来说,文艺美学批判是物化批判与意识形态批判的理论铺垫,物化批判与意识形态批判具有内在统一性,日常生活批判是对物化批判与意识形态批判的发展。不同向度的具体理论样态有机统一,共同构成卢卡奇以资本主义为批判对象的文化批判理论。重新认识卢卡奇的文化批判理论并发掘其当代价值,对把握国外马克思主义文化批判理论的演进逻辑,具有十分重要的意义。The formation and development of Lukács'cultural criticism theory has gone through several stages with its theoretical focuses on criticism of literary aesthetics,reification critique,ideological criticism and the critique of everyday life respectively,which are consequently expressed as specific theories such as critical theory of literary aesthetics,critical theory of reification,critical theory of ideology,and critical theory of daily life.However,those expressions of specific theories are not isolated but logically connected.Specifically,the criticism of literary aesthetics is the theoretical foreshadowing of reification critique and ideological criticism,which share a common intrinsic unity,while the criticism of daily life is the development of reification critique and ideological criticism.The specific theoretical expressions in different dimensions are organically unified,and jointly constitute Lukacs'cultural criticism theory with capitalism being the object of criticism.A revisit of Lukacs'cultural criticism theory and exploration of its contemporary value is of great significance for grasping the oversea evolution logic of Marxist cultural criticism theory.

关 键 词：卢卡奇 文化批判 文艺美学批判 物化批判 意识形态批判 日常生活批判 

分 类 号：B51[哲学宗教—外国哲学] B507