人类表演学视角下海阳秧歌秩序与禁忌研究  

Study on Order and Taboo of Haiyang Yangko from the Perspective of Human Performance

作　　者：张舒祺 张一可 ZHANG Shuqi;ZHANG Yike(Beijing Dance Academy,Beijing,100091,China;Minzu University of China,Beijing,100081,China)

机构地区：[1]北京舞蹈学院,北京100091 [2]中央民族大学,北京100081

出　　处：《文化创新比较研究》2023年第8期109-113,119,共6页Comparative Study of Cultural Innovation

摘　　要：海阳秧歌因独特的文化环境,使其继承了山东省自古以来崇礼重义的民风,传统的礼仪习俗给海阳人带来比其他地区更强烈的规范化与秩序化,并直接辐射于海阳秧歌的仪式性表演之中。基于此语境下,该文引入人类表演学的相关概念,以文献研究法和跨学科研究法为主要研究方法,试图重新审视存在于人们日常生活空间的民俗艺术——海阳秧歌,而不仅限于传统意义上对其秧歌队进行的剧情表演的研究,还包括对其祭祖、祀神等仪式行为的研究,从而探讨海阳秧歌这一仪式性展演中秩序与禁忌的问题,分析其生成的原因,旨为海阳秧歌的民俗性认识提供参考。Due to its unique cultural environment,Haiyang Yangko has inherited the folk customs of Shandong Province since ancient times.The traditional etiquette customs have brought Haiyang people stronger standardization and order than other regions,and directly radiated into the ritual performance of Haiyang Yangko.Based on this context,this paper introduces the related concepts of human performance science,and takes the literature research method and interdisciplinary research method as the main research methods,trying to re-examine the folk art that exists in people's daily life space—Haiyang Yangko,not only in the traditional sense.The study of the plot performance of its Yangko team also includes the study of its ritual behaviors such as ancestor worship and god worship,so as to explore the order and taboos in the ritual performance of Haiyang Yangko,analyze the causes of its formation,and provide reference for the folk understanding of Haiyang Yangko.

关 键 词：人类表演学 海阳秧歌 仪式 秩序 禁忌 文化 

分 类 号：J812[艺术—戏剧戏曲] G122[文化科学]