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作 者:刘江[1] LIU Jiang(Office of Academic Research,Liuzhou Railway Vocational and Technical College,Liuzhou 545616,Guangxi)
机构地区:[1]柳州铁道职业技术学院科研处,广西柳州545616
出 处:《开封大学学报》2022年第4期37-41,共5页Journal of Kaifeng University
摘 要:在中国古代文学中有许多典型的妇女形象。鲁迅笔下的祥林嫂、老舍笔下的虎妞、杨沫笔下的林道静和李凖笔下的李双双都是中国现当代小说中典型的妇女形象,她们不同于中国古代文学中的妇女形象,具有重要的文学史意义。祥林嫂是中国文学史上封建妇女的终结性典型形象;虎妞是中国文学史上第一个作为小市民出现的妇女形象,是反映中国妇女现代性萌芽的标志性人物;林道静是中国文学史上第一个作为成长中的知识分子出现的无产阶级革命妇女形象;李双双是中国文学史和世界文学史上第一个妇女主人翁的典型形象。从祥林嫂到虎妞,到林道静,再到李双双,中国现当代小说中妇女典型形象的演变过程,概括了中国从封建社会到半封建半殖民地社会,再到社会主义社会的历史,展示了中国妇女的政治意识从无到有的发展历程。这些妇女形象还留给我们另外一些思考,即我们的文学创作者必须具有塑造人物形象的主观意图,而且在塑造人物形象时,要树立“写时代、写历史”的创作理念,这可以说是文学创作的关键。In the history of modern and contemporary Chinese novels,Four women images of Xiang Linsao of Lu Xun,Hu Niu of Lao She,the Lin Daojing of Yang Mo and the Li Shuangshuang of Li Zhun are different from the women images in ancient Chinese literature,which have important literary significance.In the history of Chinese literature,Xiang Linsao is the typical image of the end of feudal women;Hu Niu is the first woman image as a citizen in the history of Chinese literature and the symbol of Chinese women's modernity.Lin Daojing is the first proletarian revolutionary woman image as an intellectual growth figure in the history of Chinese literature;Li Shuangshuang is the first typical image of a woman master in Chinese and world literature.From Xiang Linsao to Hu Niu,to Lin Daojing and then to Li Shuangshuang,the development process of these figures is just the development process of Chinese women's political consciousness.Therefore,it can be said that the four women images sum up the development history of Chinese women from feudal society to semi-feudal,semi-colonial society,and then to socialist society.At the same time,these images of women also leave us with some other considerations,that is,our literary creators must have the subjective intention of shaping character images,and in shaping character images,they should establish the creative idea of"writing times and history".
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