创作与理论的交融:蒋孔阳诗论刍议  

The Integration of Creation and Theory:On Jiang Kongyang's Poetics

作　　者：刘涛[1] Liu Tao

机构地区：[1]复旦大学中文系

出　　处：《上海文化》2023年第4期22-31,共10页Shanghai Culture

基　　金：国家留学基金委“2021年国家建设高水平大学公派研究生项目”的阶段性研究成果。

摘　　要：蒋孔阳先生是我国当代美学最重要的代表人物之一,他在美学视域下对诗歌展开深入的理论探讨,并进行诗歌写作实践。蒋孔阳指出诗歌是按照“感情发展的逻辑”建构的,但“情感的自发”还不是诗歌,感情需要依托精炼的语言和美的形式。他从对唐诗音乐美、建筑美的分析和对白话诗形式的思考中,主张加强诗歌形式美的建构。蒋孔阳认为诗意是诗歌最重要的本质特点,并从知觉表象层、自然物质层、社会历史层、心理意识层等探究营造诗意的途径。他认为美是人的本质力量的对象化,重视诗人的个性与人格修养以及诗篇的个性美。他指出诗歌具有重要的美育价值,读者可以从与诗篇的审美关系中提高自身的心理气质和精神面貌。Mr.Jiang Kongyang is one of the most important representatives of contemporary aesthetics in China,not only making a deep research in poetic theories from the perspective of aesthetics,but practicing poetic creation.Jiang Kongyang points out that poetry is constituted according to the"logic of emotional development",but the spontaneity of emotion is not poetry since the expression f emotion relies on refined language and beautiful form.He advocates strengthening the construction of poetic formal beauty from the analysis of the musical beauty and architectural beauty of Tang poetry and the reflection on the form of Chinese modern vernacular poetry.Jiang Kongyang regards poetic flavor as the most essential feature of poetry,and explores such ways to create poetic flavor as perceptual representation,natural material,social history,and psychological consciousness.He regards beauty as the objectification of human's essential power,and attaches importance to the poet's personality cultivation,as well as the uniqueness of poetry.He points out that poetry has important aesthetic educational value and audiences can improve their spiritual status and vitality from the aesthetic relationship with poetry.

关 键 词：蒋孔阳 诗歌 感情发展的逻辑 形式美 诗意 

分 类 号：I052[文学—文学理论] I207.25