知行相长:管窥21世纪海外中国艺术史研究的几个面向  

Understanding and Practicing Reinforce Each Other:Several Aspects of Overseas Chinese Art History Research in the 21st Century

作　　者：郭伟其[1] Guo Weiqi(the School of Arts and Humanities,the Guangzhou Academy of Fine Arts)

机构地区：[1]广州美术学院艺术与人文学院

出　　处：《美术》2023年第4期6-21,共16页Art Magazine

摘　　要：在学术史上,最开始属于汉学与西方艺术史交叉产物的海外中国艺术史研究,身处各个现代学科之间,从诞生起就面临如何自我定位的问题,其中的某些传统议题延续到今天,同时也孕育出一些新的议题。对于海外中国艺术史研究而言,多元比较的环境是其发展的动力与条件,许多命题正是在开放的讨论中形成的。这个领域的许多学者通过各自的具体实践,即写作、编辑、翻译、策展、教学、研讨,推动着学术研究的进展与学术秩序的重建。关于教育的问题是未来学科走向的关键,关于翻译的问题反映出这个时代的学术转折,关于展览的问题则值得更深入的探讨。In the history of academics,overseas Chinese art history research,a product of combining sinology and western art history,has been faced with the problem of how to position itself among various modern disciplines.Some traditional issues still exist today,and may have given birth to new issues.An environment of multiple comparison serves as a driving force for the development of overseas Chinese art history research,and many propositions have emerged in open discussion.Many scholars in this field have made further progress in academic research and reconstructed academic order on the basis of their own experience in writing,editing,translation,curating,teaching and seminars.Issues about education are the key to where the discipline goes going forward,issues regarding translation reflect the academic transition of this era,and issues on exhibitions are worthy of further discussion.

关 键 词：中国艺术史 西方中心主义 艺术史研究方法 全球艺术史 

分 类 号：J120.9[艺术—艺术理论]