内蒙古地区四神样式风马旗释源及其影响  

The Origin and Influence of the Four Gods Style of the Wind Horse Banner in Inner Mongolia

作　　者：谢琪 袁荷 XIE Qi;YUAN He(Academy of Fine Arts,Minzu University of China,Beijing 100081,China)

机构地区：[1]中央民族大学美术学院,北京100081

出　　处：《北京印刷学院学报》2023年第4期38-43,共6页Journal of Beijing Institute of Graphic Communication

基　　金：中央高校青年教师科研能力提升项目“民族地区公共艺术发展研究”(2021QNPY63)阶段性研究成果。

摘　　要：风马旗是内蒙古地区颇具特色的文化现象,关于风马旗在内蒙古地区的起源一直有各种说法。本文以四神样式风马旗为研究对象,通过图像对比,内蒙古地区四神样式风马旗与藏地风马旗具有高度相似性,经文献史料考证,内蒙古地区四神样式风马旗就是藏传佛教自西向东传播的产物。在与本土文化的不断融合中,象征宗教神圣力的四神样式风马旗逐渐退化为生活风俗,在不断的实践中被建构起新的象征意义,最终拓展成为一种民族文化。The wind horse banner is a distinctive cultural phenomenon in Inner Mongolia,and there have been various theories about the origin of the wind horse banner in Inner Mongolia.This paper takes the four gods style wind horse banner as the object of study.Through the comparison of images,it is found that the four gods style wind horse banner in Inner Mongolia is highly similar to the Tibetan wind horse banner,and the documentary and historical evidence shows that the four gods style wind horse banner in Inner Mongolia is the product of the spread of Tibetan Buddhism from the west to the east.In the process of fusion with the local culture,the four gods style wind horse banners,which symbolized the sacred power of religion,gradually degenerated into a living custom,and in the course of continuous practice,new symbolic meanings were constructed and eventually expanded into a national culture.

关 键 词：四神样式 风马旗 藏传佛教 萨满教 翁衮 

分 类 号：K892[历史地理—民俗学]