创伤记忆:表征困境的突围与审美伦理的重建  

Traumatic memory:breakthrough of representing difficulties and reconstruction of aesthetic ethics

作　　者：延永刚[1] 冯岩[1] YAN Yong-gang;FENG Yan(Mudanjiang Normal University,Mudanjiang 157011 China)

机构地区：[1]牡丹江师范学院文学院,黑龙江牡丹江157011

出　　处：《新余学院学报》2023年第2期78-84,共7页Journal of Xinyu University

基　　金：2018年度教育部人文社会科学青年项目“南京大屠杀的文学记忆研究”(18YJC751057)。

摘　　要：创伤记忆的表征困境源于创伤对于语言符号的抵制,它反映了在创伤和语言之间存在着鸿沟。虽然创伤抵制着客观的历史叙述,但是它却给文学提供了入口。相对于散漫零碎的日常语言,文学能够通过想象和虚构以形象的方式抵近创伤。当代创伤文学通过叙事策略的调整拓展着现实主义的边界、重释着文学现实主义的内涵。同时,它也在挑战着阿多诺在创伤历史书写中设置的审美禁令,尝试着缝合奥斯维辛之后审美和伦理之间的裂痕,并在创伤现实主义模式中实现审美伦理的重建。The representing difficulties of traumatic memory stems from trauma′s resistance to language symbols,which reflects the gap between trauma and language.Although trauma resists an objective historical narration,it provides a perspective to literature.Compared to the scattered and fragmented daily language,literature can approach trauma in a figurative way through imagination and fiction.Contemporary trauma literature expands the boundaries of realism and reinterprets the connotation of literary realism through the adjustment of narrative strategies.At the same time,it also challenges the aesthetic prohibition set by Adorno in the writing of trauma history,tries to close the gap between aesthetics and ethics after Auschwitz,and realizes the reconstruction of aesthetic ethics in the model of trauma realism.

关 键 词：创伤记忆 表征困境 文学叙事 奥斯维辛 审美伦理 

分 类 号：I06[文学—文学理论]