赵太侔与国剧论  

Zhao Taimou and the Arguments of National Theatre of China

作　　者：徐珺[1] XU Jun(Department of Dramatic Literature,Shanghai Theatre Academy,Shanghai 200040)

机构地区：[1]上海戏剧学院戏剧文学系,上海200040

出　　处：《艺术百家》2023年第2期101-107,123,共8页Hundred Schools In Arts

摘　　要：国剧运动是20世纪中国戏剧史上的重要戏剧事件,赵太侔的《国剧》一文是国剧整体观研究的核心,他认为建设国剧要从民族性和世界性两方面入手,并高度评价了中国戏曲“程式化”的艺术价值。赵太侔的国剧观影响深远,此后叶崇智、顾颉刚等人结合其观点展开了一系列讨论,但这些内容以往很容易被研究者忽略。总体而言,以赵太侔为首的这批学者的文章指明了建设国剧的方向,即应从探究民间史、民族审美、民族语言等方面着手,深入内地、深入民众,从而发展和建设民族戏剧。他们共同为民族戏剧发声,为提升西方对中国戏曲美学价值和艺术手法的认知水平、促进东西方戏剧的共融与发展作出了一定的贡献。The National Theatre of China movement is an important theatre event in the history of Chinese theatre in the 2Oth century.Zhao Taimou's article National Theatre is the core of the study of the holistic view of National Theatre of China.The articles of Ye Chongzhi,Gu Jiegang and others,which were underestimated in the study of National Theatre of China movement in the past,which conveyed direction of building National Theatre:Starting the movement from the aspects of folk history,aesthetics and language of China,and going into the mainland and the people.Together,they advocate for national theatre of China,enhance the western understanding of the aesthetic values of Xiqu,and promote the integration of the eastern and western theatre.

关 键 词：国剧运动 国剧 爱尔兰国剧 民间文化 

分 类 号：J80[艺术—戏剧戏曲]